Analogies and parallels to other Aryan archetypes of Tradition
By Hyranio Garbho
The Land of the Transfiguration
At weddings Arkhanen Neegal Forest holds the same value as the archetypal Atlantis in the visible and familiar story. And although Neegal is not an island, and its location in space-time is pretty well established, the archetypal foundation of the forest not far even an iota of responding to the same archetypal patterns of the Atlantic island. In short, it would be a magical place, transfiguration, inaccessible by sea, air or land, in which a precious treasure, a golden relic, known as tightly Uril stone is found. Perhaps this has been called the land of the Hyperboreans Pindar. For Neegal Forest hallábase old where he was Osnig Forest, beyond where the wind god inhabits boreal. Over time this place transformose a sacred region, whose religious function should not be far from similar places in the Aryan world. As such this was the last station of a long pilgrimage that began in Kadik, ancient Atlantean enclave known as Tartessos by later Greeks. There came from all parts of the Atlantic island called Thule in The Marriage Arkhanen. It was at this time that became the privileged residence of heroes and gods whom justice was not served.
Equivalent to the Atlantic island, in The Marriage Arkhanen symbol is the magical and mysterious island of Thule. Thule is, esoterically speaking, the visible aspect of the archetype of Neegal. In the mythology arkhanen occupies the same place in the popular Atlantis tradition. It is an island located in the middle of the Atlantic, where arkhanen developed the first human civilization on the planet. Thuleanas colonies were founded by arkhanen in Osnig, Kadik and North Africa. Also in Mexico and the Yucatan Peninsula. But Thule, the island collapsed. And with it came the decline also in the colonies. Weddings Arkhanen refer to the destabilization of the planet's gravity brought upon himself the last moon and a big catastrophe he wiped out the island and its civilization. The only survivors were gathered to the colonies, but they also failed to overlap the collapse. Within a generation the world was no longer the same. The men hid in caves. For centuries there was no light, no life, nothing on the face of the earth. The great flood that embraced all the product of the clash of the earth with the moon last forever changed the look of it. The new men who emerged from caves or inside the earth had also transfigured. However, a thin thread of tradition continued cultivated for generations, passing from father to son, and so on. And gradually, the memory of the old country was imposed in the form of legend and myth. Behold, Thule was called "ancestral homeland", "old earth"; which in Germanic language "Alt-Land" is said. Neegal Forest was almost completely forgotten. Not its symbolism and archetype, which was still present in the collective unconscious of the new generations, in the form of a land of transfiguration, of difficult access, which either by sea or by land nor ships, nor feet could be reached.
There are many legends and historical references to places such features in the ground or inside it. The Greeks spoke of a region beyond the northern wind, located in the septentrión end, which served as the residence of the god Apollo. They called land of the "Hyperboreans" (it is, land of those who live beyond the realms of "Boreas" god). According to legend Apollo has retired to Hyperborea every nineteen years to rejuvenate. This suggests that the region was conceived by the ancient Greeks as a magical transfiguration. Apollo rejuvenates in Hyperborea. We rejuvenate accept that is another form of rebirth. The reborn is a rejuvenated since the rebirth experienced ALCHIMICA it operates in the act of rejuvenation. Now in Sanskrit language, the word for "rebirth" is "aryo" whence the modern word "Aryan". The Aryan or aryo is reborn, rejuvenated in spirit. It should emphasize the latter, as the condition of "aryo" or Aryan is a "spiritual man," or a man reborn in the spirit. The word also in other meanings, identified with noble status, which let go of that, in ancient times, the nobility was associated rather a spiritual condition (initiation) rather than the possession of material riches.
If Apollo rejuvenates it is because Hyperborea Hyperborea is a magical place, a land of transfiguration. That power is represented in other myths by various objects or qualities, among which the "shining" colors "gold" or "white," and, in some cases, spherical or pyramidal ownership of objects. Example (as we saw) are the "golden" apples from the garden of the Hesperides, or fleece "gold" that guards the dragon on the remote island of Colchis (apples are also guarded by a dragon). Both objects are golden and glowing just as the Isle of Avalon and Cveta Dvipa, the Hyperborea of the Hindus, Vishnu residence. But both elements are magical and represent immortality. Who eats the golden apples from the garden of the Hesperides attains immortality, like who owns the precious golden fleece.
In the oldest pagan mythology the same function is reserved for the Grail, the magic stone detached from the crown of Lucifer. The Graal is also a shining stone, with whose power reaches the maximum ALCHIMICA operates, the transformation of the elements. Additionally, apples garden of Hesperides and the golden fleece possess the same faculty. This led to postulate the ancient land of the Hyperboreans as the original homeland of this ancient power. The Golden Fleece, apples garden of Hesperides and the Graal are but three distinct to refer the same archetypal reality names. That reality is nothing more than the Opera ALCHIMICA, the power of the transformation of the elements, the transfiguration (or release) of the Spirit.
Lucifer and the original Graal
According to medieval stories Avalon is the residence of Graal. The Graal answers a spoiled by the distortions and additions made by the Judeo-Christian ancient pagan tradition. In its original sense, the Grail has nothing to do with the glass of any crucified Galilean carpenter in the Middle East. Rather, the Graal is a fundamental archetypal symbol of the Aryan collective unconscious. The oldest of the Grail legends say that it is a precious stone detached from Lucifer's crown after the fall of this paradise (according to sources from the Wartburgkrieg). Lucifer, incidentally, is not the devil. The association between Lucifer and the devil is relatively late and is part of one of the many misrepresentations that has carried out the Judeo-Christianity.
In the oldest traditions Lucifer (Eosphoros in Greek) appears as a minor deity, a god associated with the morning or evening stella stella (Venus). It is the bearer of light or the Aurora, which glows in the dark. There is, in fact, no biblical story that refers to the familiar story of Lucifer and his expulsion from paradise. The only two passages from the Bible in which it seems that this story are so ambiguous that no strong power to refer such events. Despite this, the story seems to have become popular outside of biblical stories and the XIII century is a strong history of deep popular roots. Based on the text of Isaiah 14 and 28 Exequiel medieval imagination assumed that there had been, in the beginning of time, a great conflagration between God and Lucifer, the rebel angel. The reason for the discord would have been the pride of Lucifer, who as the main favorite of God and thought he could match him in power and majesty. With a force equal to a third of the angels of heaven rebelled against God and starred in a war that would leave defeated and expelled to the regions of the underworld. Although this story well told, it does not appear anywhere in the Bible and any other book similar data, has gone down in history as the official version of what happened with Lucifer in paradise. And while this is so, although the story of Lucifer is nothing more than a late recreation, made from elements of Christian oral tradition, it is surprising the deep parallels that keeps this story with other legends arising from other cultural complexes and ethnic, particularly in what is related to the Aryan culture. After all this story was popularized in the Christian Middle Ages, between European people, who could very well, analog partnership, rebuild their own legends from the new elements that concerned Christian folktales.
In Wartburgkrieg it is that Lucifer, after his fall to the underworld, lost a precious object, a stone that emerges from his crown. That stone is the Graal and symbolizes, in principle, the power and majesty Lucifer lost after his defeat. The stone is, according to medieval stories, Avalon, White Island (remember that leuke, Cveta Dvipa and Hyperborea are white Islands) and their power is such that it is only reserved for the elect after successfully overcome a number of dangers . The archetypal pattern repeats.
Beyond Lucifer and biblical stories, beyond even the legend of the Grail (which, incidentally, will return later) the oldest Nordic and Aryan stories tell us, indeed, of a great cosmic conflagration of war of epic proportions, in which some gods are defeated and killed in combat (including Wotan) or simply defeating succumb to death (Thor, is an example of the latter). It is Ragnarok, or Sunset Boulevard, occurred in the last and darkest of all ages.
Ragnarok
Like no other Norse mythology describes an end to the gods. Unlike Christian, Jewish and Islamic beliefs (all, of course, that emerged from the same Semitic trunk), whose superstitions lead them to believe in the existence of an eternal God, Norse mythology, however, proposes an end of the gods in the twilight of time, eschatological end whose correspondences and analogies with the archetype of the Atlantic island and myth Forest Neegal be mentioned here. The cause of Ragnarok, the main reason is the conflagration faced with unequal luck, gods and giants; but what is truly important in this line of parallels and synchronicities, is the joint demise of gods, giants and other creatures that inhabit the earth, by the eschatological context that serves as the backdrop for this monumental battle at the end of time. In all lines, this final seems to evoke the last days of Atlantis, or Thule, Ogigia, Avalon, leuke, Cveta Dvipa, or whatever it is called this island. Eddas can be read as follows:
"The Fimbul winter has arrived. Heavy snow falls from the four corners of the world; killer frost prevails. The sun at noon darkens; no longer joy; devouring endless storms blow. Men wait for the arrival of summer in vain. Winter follows winter three times in a world full of snow, frost and ice ... however, they make war, shed blood and there is growing evil ... "
And in another passage:
"There disaster in the sky. The giant wolf Skoll has come increasingly to the Sun, and now swallowed. The Moon is engulfed Hati-Managarm ... So the sun is obscured at noon, and the heavens and the earth become red blood, the thrones of the great gods dripping blood. The Moon is also lost in the dark, while the stars disappear from the sky ... Midgard destroyed; the smoke round the tops of the mountains; everything burns; nothing lives. Asgard is destroyed and the fire envelops the trunk Ygdrassil ... Earth, burning and black, it sinks into the ocean; the waves cover ... Now there is nothing else but a thick darkness and total silence ... "
Völupsá also provides a similar description of Ragnarok:
"The sun darkens, earth sinks in the sea, stirred the sky bright stars; Steam comes furious, fire rises and reaches the heat to the very heavens. "
All these passages of Nordic literature reflect an eschatological end of time, in which gods and heroes disappear. These gods and heroes of Ragnarok are the kings and queens of the mythical Atlantis, preserved in the memory of the poet of the Edda in the form of the Germanic gods. For the Atlantic island, according to the accounts of Plato, also it succumbed to an eschatological catastrophe proportions.
At weddings Arkhanen the equivalent of Ragnarok takes the form of a general collapse of the island of Thule motivated by the shock of the last moon. At that stage of final and last days the gods and heroes battle for possession arkhanen stone Uril. A large conflagration then takes place in the mythical island. Uril stone symbolizes the greatest power on earth. This is in Forest Neegal. But it has been secretly taken away by their princes custodians. The arkhanen legend is not needed in this area. The Uril pray so worn into the earth, now south of the American continent, now split into three pieces located in various regions aligned geometrically. Uril dislocation is the cause of energy imbalance of the planet, empowering gravity catches the last moon. The tragic outcome of all this affects the sinking of the island and its eschatological end.
This Ragnarok arkhanen also evokes, in form and content, another mysterious Aryan myth popularized in the Middle Ages in the form of millenarianism. According to the structure that this myth comes in The Marriage Arkhanen the eschatological end of time is the prelude to the advent of a golden age, under whose auspices the man (the arkhanen) will be as gods. But first, a great conflagration will take place at the height of the times. There, the heroes and gods will be defeated and exiled from the world, and his loyal followers will be persecuted and harassed; banished wickedly. The magical land of the ancestors succumb under a big catastrophe. And only a select few marched to the center of the earth, separated from the world, to guard the tradition will emerge as the future empire of a thousand years.
Throughout this line of parallels and synchronicities that more than one may leave the impression of syncretism, you can recognize three great ideas-forces that connect the catena aurea aria with arkhanen philosophy. First, the idea of the great conflagration that pitted heroes and gods of the world arkhanen towards the last days of Thule. In the center of that war to conquer the stone was Uril establishing these accounts are linked to the myths of British material or Grail Arthurian cycle. Second, by the same conflagration this story connects with the facts of Ragnarok (and interestingly also narrated in the Book of Enoch, as the conflict began when a group of arkhanen breed with the daughters of the machines). And third, by the collapse of Thule, its final plunge into the Atlantic, the story arkhanen is linked to the sinking of Atlantis and the Eddas, where also the "burning" land and "black", sinks into the waters of Ocean cover everything. Finally, we can not help noticing how extraordinarily proximity of these stories of the theory of eternal ice of Hörbiger, which also reports a series of collisions of the Earth with its moons. The Wedding Arkhanen refer to the final collapse of Thule is due to the collision of the last moon to the earth. The existence of Moonacre expressly suggests the existence of previous moons. Hörbiger's theory emphasizes the existence of three pre-existing moons, all of which would have collided with the Earth causing catastrophes of proportions. The appearance of the earth and described should not be far from what is also narrated by the Edda (which is endorsed in very similar terms in the arkhanen story), "There disaster in the sky ... the moon is devoured by Hati -Managarm ... heaven and earth become red ... the Moon is also lost in the dark, while the stars disappear from the sky ... Midgard destroyed; the smoke round the tops of the mountains, everything is burned, nothing lives . The Earth, burning and black sinks into the ocean, the waves cover ... Now there is nothing else but a thick darkness and total silence ... "
